This course provides an introduction both to the history of jazz music and to academic, social, political and aesthetic issues that surround the art form.

Beginning in the late nineteenth century, jazz (originally “jass”) has held a controversial place in musical and social traditions from the start. Its origins and stylistic evolution remain a matter of dispute even today. Some of the questions we will address include: “What is Jazz?” “Is it Black music?” “Does it come from Africa?” “Are its roots in the Blues?” “Must it swing? If so, what does that mean, exactly?” “Must it be improvised?” “Does it have any connection with the European classical tradition?”

Our studies will consist of both a survey of history and style, and an investigation into larger meanings. We will hear, see and discuss seminal figures in jazz history—from early ragtime, swing, big band music and bebop to progressive, cool, third stream, post-bop experiments in avant-garde, fusion and world music—dissect their styles, and place them in a broader musical context (including European, American and non-Western traditions).